Lin Chaohong, Vincent is an independent curator and art historian based in Singapore. With more than a decade of experience in the visual arts industry in Singapore, he specialises in traditional, modern and contemporary Chinese ink art forms, and Singapore modern art history. Lin has curated and written for several exhibitions in Singapore and China, with his most recent contribution of a monograph Read more.... Lin Chaohong, Vincent (Graduated in 2019)
Category - alumni
Lin Chaohong, Vincent is an independent curator and art historian based in Singapore. With more than a decade of experience in the visual arts industry in Singapore, he specialises in traditional, modern and contemporary Chinese ink art forms, and Singapore modern art history. Lin has curated and written for several exhibitions in Singapore and China, with his most recent contribution of a monograph Read more.... 
Reaksmey Yean is an art advocate, an early-career art curator and researcher, and a native of Battambang, Cambodia. In 2014, he received the Alphawood scholarship to study Buddhist and Hindu art from the School of Oriental and African Studies in London. In 2017, he was the first recipient of LASALLE College of the Art’s Southeast Asia (SEAsia) Scholars Award, which enabled him to undertake the MA 
Based in Singapore for the last ten years, Tanya Michele Amador is an independent curator and freelance writer specialising in Southeast Asian contemporary art. She has collaborated with local art galleries and worked with international artists such as the Gao Brothers and local artists such as Aiman, Justin Lee and Nandita Mukand on curated projects and events. As a published writer, she has 
Sofia moved to Singapore in 2010 and has been involved in the arts since her arrival. Initially training as a docent with the Singapore Art Museum, she took on the role of press and media relations at STPI (Singapore Tyler Print Institute) in 2014. Two years later, she set up Art Locker, a Singapore-based boutique art consultancy offering marketing, PR and strategic advice. Prior to her move to Southeast 
Anna is interested in the ways global ideologies intersect with vernacular agency and Buddhist subjectivities in spaces of national imagination and visual arts. Her approaches are informed by cultural histories, theories of decolonization, political modernities and an iconographic analysis. She advances research and critical thinking on visual arts of one of the least studied counties in Southeast